Remember that unless you are actually using the stereo field, like a sound that is moving left to right, and that sound is important to the mix, a mono send is adequate. I would agree to make use of your 4 outputs. Should I use TS jacks, TRS jacks, or DI Box + XLR to send the stereo mix to the engineer console? My live audio interface is a Presonus 26c Studio, which has 2x balanced TRS main outputs.Should I send the live sound engineer the stereo mix at near 0dB? Or should I send a stereo mix with some headroom? Does it really matter as long as the different songs are in the same RMS approx?.2 mics (stereo each one, after vocal effects from TC-Helicon Perform-VE).Guitar (stereo, 2 digital amps from Line6 Helix).In summary, we'll send to the sound engineer a total of 10 lines: I'll bring a mac and an audio interface on stage, so we can send a stereo mix to the live sound engineer, containing every sound that we can't play, like drums, bass, sfx, and some backing synth and guitar. We are 3 members: (1) main vocal, (2) guitar + vocal, and (3, me) synths. I produce and mix my own band, and after releasing a few tracks, I'm getting ready for live shows. Reposting this here as suggested in r/audio r/broadcastengineering - Broadcast Engineering.r/projection_mapping - Projection Mapping.You might find these other subreddits useful: These rules are implemented at the moderators' discretion. No RF Broadcasting Advice beyond 'Consult a Professional/FCC Lawyer'Įquipment Recommendations must show effort. No politically or religiously focused posts/comments No Personal Information, Including Artist or Company NamesĪll 'office photos' must be posted in the weekly office pics thread.
#Mixing live sound from stage software#
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#Mixing live sound from stage professional#
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